Posts Tagged ‘Soundtracks’

I had a group of friends over for an ‘80s high school movie night this past weekend. Not wanting to go the John Hughes movie route, I chose films not everyone in the group had seen. The playlist for the night consisted of songs solely from the movie soundtracks. The goal was to watch three movies but as conversation and music flowed, time got away and we only got in two movies. The first film up was Valley Girl (which has arguably the best teen movie soundtrack of the ‘80s) followed by Fast Times at Ridgemont High. Unfortunately, we didn’t get to the final film on the agenda, The Last American Virgin. The film has a rather interesting soundtrack, where you’ll find arena rock songs alongside new wave classics and R&B love songs. I first came across the movie on late night cable TV, where my sister and I watched it more times than I care to mention.

A remake of an Israeli movie called Eskimo Limon (a.k.a as Lemon Popsicle), The Last American Virgin was released in 1982, within a month of Fast Times at Ridgemont High. Unfairly dismissed as another teen romp akin to Porky’s, the film has since become a cult classic. Not to say the movie doesn’t have its share of raunch, which it certainly does, it also has some honest coming of age moments. It also has a surprising twist ending, that I won’t give away here. The soundtrack was promoted just as heavily as the movie, with good reason, as it includes songs from The Police, Human League, The Waitresses, Blondie, The Cars, Devo, U2, The Plimsouls, Oingo Boingo, REO Speedwagon, Journey, and the Commodores. I was really looking forward to screening the film for the group because if nothing else, they would have appreciated the soundtrack. Perhaps another ‘80s movie night might be in order.

Besides the heavy hitters, there were also some lesser known bands who contributed to the soundtrack, such as The Fortune Band. Formed in the late ‘70s, the band had some minor success in the early ‘80s and caught the attention of Columbia Records. They decided to include the band’s single “Airwaves” on the soundtrack. The song is a burst of new wave, power pop with plenty of catchy synth. The video for the song is a low-budget affair and has the band performing in a studio with plenty of cheesy visual effects.

 

The Gleaming Spires also appear on the soundtrack with their 1981 song “Are You Ready for the Sex Girls?” (The song also appears on the 1984 Revenge of the Nerds soundtrack). The song was intended to be a B-side but eventually became the group’s only hit. It’s a bouncy, novelty song that wouldn’t seem out of place on a Sparks’ album, a band they would later join. The video has singer Leslie Bohem and drummer David Kendrick making a pie, of all things. After his tenure with Sparks, Kendrick would later drum for Devo in the mid-eighties.

 

I had some friends over last night to celebrate the music and films of David Bowie. The playlist spanned Bowie’s career from the early ‘70s to the 2010s. (It wasn’t easy narrowing down Bowie’s catalog to a three hour playlist). The movie we chose to watch was Nicolas Roeg’s The Man Who Fell to Earth. As we were discussing Bowie’s music in movies, someone mentioned a film I had never heard of – Christiane F. It’s a German film about a teen growing up in a bleak part of West Berlin in the mid-70s who falls in with a drug crowd and eventually becomes a heroin addict. Bowie provided the soundtrack for the movie and also appears in the film. One of the first things I did today was watch the movie on YouTube.

Based on the non-fiction book Christiane F. – Wir Kinder vom Bahnhof Zoo, the film is about a bored young girl sick of her uneventful life who finds excitement inside the walls of the Sound, a popular youth nightclub. While there she meets and falls in love with Detlev, a 15-year-old heroin addict who we later learn supports his habit by male prostitution. By age 14, Christiane is addicted to heroin and has also resorted to prostitution to feed her addiction. The movie, directed by Uli Edel, was released in 1981 and caused a sensation upon its release in Germany. Not only was the story shocking it also brought to light an epidemic of youth heroin addiction that was sweeping across Europe. The movie was also given a somewhat wide release in the US but didn’t make much of an impression, probably due to its grim subject matter.

With how much Bowie’s appearance in the film was promoted, I was surprised that he had so little to do with the storyline. Except for a live concert appearance (which seems somewhat out of place), his music is mostly used as a backdrop to the story. Most likely the studio was trying to cash in on Bowie’s popularity. Although the movie is set in the mid-70s, the soundtrack draws largely from Bowie’s Berlin trilogy recorded a couple of years later. As Christiane first enters the Sound, “Look Back in Anger” is blaring from the speakers, and “Boys Keep Swinging” is played during a gang fight prior to a Bowie concert (both songs from the 1979 Lodger album). Regardless, the music adds to the hopelessness and despair to one of the most disheartening movies I’ve seen in a while.

In the film, Bowie performs “Station to Station” off the self-titled album. Since Bowie was performing on Broadway at the time, some of the crew and cast members were brought over to New York City for filming. If I’m not mistaken, you can see the beginnings of his Let’s Dance look.

 

After Christiane meets some new friends at the Sound, they decide to have some fun by running, and falling, and wreaking general havoc in a subway station to Bowie’s “Heroes.”