Posts Tagged ‘1987’

More ’80s Protest Songs

Posted: January 24, 2016 in Alternative, New Wave, Protest Songs, Punk, Rock
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It’s time for another installment of ‘80s protest songs. In my last post, I focused on the anti-apartheid movement and how artists helped bring this issue to a broader audience. This time around I’ll be focusing on songs that dealt with the backlash against Ronald Reagan and his policies. There were countless artists who spoke out against the administration’s policies, such as cuts to social programs and taxes for the wealthy, deregulating the EPA, and the rise of capitalism. It would take another post to cover protests over the administration’s military policies.

The B-52s’ song “Channel Z” is pretty much an indictment of the Reagan administration as a whole wrapped up in a fun, upbeat tempo. But mostly this song is a condemnation of the deregulation of the media under the administration and the constant feeding of mass information to an all too eager public. It was the debut single off the 1989 album Cosmic Thing. Although not achieving the success of other songs from the album, such as “Love Shack,” and “Roam,” it did reach #61 on the UK Singles Chart.

 

One of my favorite songs off R.E.M.’s 1987 album Document is the opening track, “Finest Worksong.” The song is basically a rousing call to arms against Reagan capitalism delivered in an almost sermon-like form. It was the third, and last, single to be released off the album. It reached #50 in the UK but failed to chart in the U.S. A slightly lighter-sounding version of the song is included on the greatest hits compilation, Eponymous. It’s the brighter version that Pete Buck felt should have been on Document but I think I’ll have to disagree with Mr. Buck on this one.

 

The Ramones also joined the fray with their song “Bonzo Goes to Bitburg.” The single, released in 1985, was a protest to a visit Ronald Reagan paid to a military cemetery in Bitburg, Germany. Along with members of the German army, there were also several members of the Waffen SS (a branch of the Third Reich) buried there. The Ramones were joined in protest by holocaust survivors, US politicians from both sides of the aisle, and many countries in Europe. To stem the tide of criticism, a visit to a concentration camp was added to Reagan’s agenda. The single was not released in the US and as an import became a minor success on college radio. Retitled “My Brain is Hanging Upside Down (Bonzo Goes to Bitburg),” the song was included on the 1986 album Animal Boy.

 

Happy ’80s New Year!

Posted: January 2, 2016 in Alternative, General, Goth, New Wave, Playlists, Post-Punk, Synthpop
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I look for any occasion to get a group of ‘80s music lovers together, and NYE seemed like the perfect opportunity. Since we’re both not too keen on venturing out on NYE, my husband and I decided to throw a dinner party to ring out the year. Fortunately, all attendees either grew up in the ‘80s or had a love of ‘80s music. With that kind of crowd, I couldn’t help but put together a playlist of songs from the era that included old favorites, rediscoveries, and new music I’ve come across this past year. Oh, we also attempted to play some games but the music took over and our living room became a dance floor until the wee hours of the morning.

Along with the usual suspects (Depeche Mode, Duran Duran, The Smiths, etc.), the playlist included songs from bands I had forgotten about over the years. Bands such as The Members (“Working Girl”), The Producers (“She Sheila”), Wire Train (“Chamber of Hellos”), and Felony (“The Fanatic”) found a much overdo spot on the playlist. Although sharing forgotten songs with the group was enjoyable, it was the unearthed gems I was most looking forward to playing. For a few, it was the first time hearing some of the songs and for others they brought back fond memories.

One of the bands I recently rediscovered is The Bolshoi. I knew of The Bolshoi back in the day but embarrassingly had never listened to any of their songs. My current favorite (and one I can’t seem to stop playing) is “Can You Believe It?” off their 1987 LP Lindy’s Party. It features an addictive, bouncy synth line and a heavy drum bass. I’ll definitely be seeking out more from them for a future post.

 

Another band discovered this past year is The Monochrome Set. From what I’ve come across they were favorites of Morrissey and Johnny Marr. This is another band that I’ll be exploring and posting about in the New Year. The song “He’s Frank” was first released as a single in 1979 and re-released as a slightly different version years later. I prefer this version, in which they sound like a cross between the Violent Femmes and The Velvet Underground. Just as above, there was no official video for the song available.

 

I’ve been away for a while but am looking forward to sharing more classics and overlooked songs of the ‘80s in 2016!

The Jesus and Mary Chain’s Darklands

Posted: January 6, 2015 in Albums, Alternative, Shoegazing
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I’ve recently succumbed to the vinyl trend, which means I’ll be spending way too much money on music I already own. Fortunately, I stumbled upon a stash of albums from my teen years that my mother had the good judgment to not throw away. Unfortunately, I soon realized I’d need to start expanding my collection. After purchasing a new turntable, the first “new” albums I bought were Echo & the Bunnymen’s Ocean Rain and The Jesus and Mary Chain’s Darklands. Bypassing the temptation to purchase JaMC’s Psychocandy, I opted for their sophomore effort. After playing the album from front to back, the decision was a good one. From the opening guitar strums of “Darklands” to the haunting “About You,” the album still holds up.

The first song I heard from Darklands was “Happy When it Rains.” It was featured on MTV’s 120 minutes and was soon captured on video tape, and found lots of play on my cassette player. Tired of the electronic synth music of the mid-eighties, the Reid brothers decided to bring back guitar-based music. Moving away from the feedback and noise pop of their debut effort, Darklands was more melodic and was oddly simultaneously dark and optimistic. The album, recorded by the brothers with the aid of a drum machine, was a critical success. I’m sure it’s the first of many JaMC albums I’ll be purchasing in the near future.

One of my favorite songs from the album, “Happy When it Rains.” The video features the Reids at their moping best.

 

“April Skies” was the first single released from the album and reached #8 on the UK charts. The only single by the group to break the top ten.

 

Band Profile: Kitchens of Distinction

Posted: January 4, 2015 in Alternative, Band Profiles, Shoegazing
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The English trio Kitchens of Distinction were considered a precursor to the shoegaze movement of the late ‘80s. Formed in London in 1986, they were often compared to The Chameleons and Cocteau Twins, due to their swirling, psychedelic sound. The group was also known for their blunt lyrics and outspoken views, which most likely contributed to their lack of mainstream success. Taking their name from a home décor company that specialized in kitchens and plumbing fixtures (guitar player Julian Swales saw the ad on the side of a bus), the group was active for ten years before disbanding in 1996. During that time, they released four albums and several EPs and singles.

The group’s first single, 1987’s “The Last Gasp Death Shuffle” was named single of the week by NME and got the band signed to One Little Indian Records. This led singer Patrick Fitzgerald to put his career as a medical doctor on hold and devote his full attention to the band. Their first two singles for the label, “Prize” and “The 3rd Time We Opened the Capsule,” made it on “NME Writers’ 100 Best Indie Singles Ever” list. Although the future looked promising, the mainstream music industry didn’t embrace the band, largely due to lyrical content. (The song “Margaret’s Injection” was a fantasy about killing Prime Minister Margaret Thatcher.) Also complicating matters was that Fitzgerald was openly gay and the lyrics often reflected this, which didn’t sit too well with the general public. Although finding moderate success on US college radio in the early ‘90s, the group faltered in the mid ‘90s. They were dropped by their record label during that time and decided to disband. They reformed in 2012 and released an album, Folly, in 2013.

“The Last Gasp Death Shuffle” was the band’s first single and sounds like a combination of early Echo & the Bunnymen and Talking Heads.

 

The group’s debut album, 1989’s Love is Hell, produced the single “”The 3rd Time We Opened the Capsule.” It found the group moving towards a more psychedelic sound and is considered “a perfect Kitchens moment.”